Kasper T. Toeplitz - Compositions & Scores
in no particular order. For all scores which need an electronic patch(MaxMSP most of the time) just ask for it, and it will be send !!!
All scores are not there, notably all those published by Ricordi (in the last century !), some other are maybe lost or of less interest.
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| Vents Stellaires | for the brass trio ZINC & COPPER |
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| ARCHE | for solo electric bass Arche was composed in 2021 and can be played as a solo bass piece or with the dance (of the same name) choreographied by Myriam Gourfink with dancers it was performed at solo version : _Flashback 66, Perpignan, June 8 2021 |
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| Vague de Pas | a composition for solo TAM and Tape, (written in January 1995) Vague de pas was recorded by Didier Casamitjana |
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| HAR | a very old score for 2 trumpets, trombone and a MIDI sound generator • score HAR • |
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| Terres Brulées | for piano and Roli electronic keyboard. This "Paris version" is 30 minutes long. • score Terres Brulées (Paris) • Terres Brulées was commissioned by the pianist Gabriella Smart who premiered it at |
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| Suspension - agrégat | for small ensemble & live-electronics, written for the ensemble ASK Suspension-Agrégat was composed in 2015 |
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| Rupture & Dissipation | composition for ensemble, for 9 instruments, commissioned and played by ensemble Phoenix_Basel • score Rupture & Dissipation • Rupture & Dissipation was composed in 2012 |
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| Agitation / Stagnation | composion for ensemble, for the ensemble Zeitkratzer. The music was released on a doule CD, in two versions : the first one is the premiere,as played by Zeitkratzer, the second is the "electronic score" of the composition • score Agitation / Stagnation • Agitation / Stagnation was composed in 2016 |
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| SZKIC | a graphic score for electronic ensemble, performed and recorded by FORMANEX released on the CD box FORMANEX, 20 Years of Experimental Music SZKIC was composed in 2012 |
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| Demonology #11 | a graphic score for electronic ensemble, my first graphic score. performed and recorded by FORMANEX released on the CD box FORMANEX, 20 Years of Experimental Music Demonology #11 composed in 2002 |
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Cello_Titan |
for solo cello (electric or amplified) and live electronics. Composed for Ulrich Maiss in 2005. Recorded by Brice Catherin on the CD "Interférénces". CELLO_TITAN composed in 2005 |
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| Reflux - Reformation | for percussions (1 player) and live-electronics. Commissioned by Centre Henri Pousseur. Recorded by Tom de Cock on the CD "Interférénces". Reflux - Reformation composed in 2016 |
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| Secteurs d'Interférence | for solo (glissando) flute and live electronics. Recorded by Eric Drescher on the CD "Interférénces". • score Secteurs d'interference •
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| The monster which never Breathes | for pipe organ and some live electronics. Commissioned by Abbaye de Royaumont • score The Monster which never breathes • The Monster which never Breathes composed in 2010 Later the same score but transcribed for Electrc bass & electronics (!!!) was played as
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| This is my house | for solo soprano saxophone and live-electronics. Written for the choregraphy of the same name by Myriam Gourfink (this was the second part of the piece, the first one being anelectronic solo. The saxophone piece was played by Ulrich Krieger |
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| GRIS | music composed for the dance piece GRIS, choregraphy by Myriam Gourfink. For Lithophone, Electronics and Bass. Lithophone first played - and recorded on CD GRIS - by Philippe Foch, then played by Didier Casamitjana GRIS composed in 2016 |
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| Convergence, Saturation & Dissolution | for solo electric harp and live electronics. Recorded by Hélène Breschand on the CD "Octopus" • score Convergence, Saturation & Dissolution • Convergence, Saturation & Dissolution composed in 2014 |
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| Glissement (Orangerie) | for french Horn, Bass and live electronics, duration 30 minutes. Written for the performance (with the dance of Myriam Gourfink) in the musée de l'Orangerie, Paris, on the 30 September 2019. French horn, Elena Kakagliou, Bass & live electronics, KTT. • score Glissement - orangerie • |
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| Glissements d'infini | for percussions (Didier Cajamitjana) cello & bass cello (Brice Catherin) bass and live-electronics (KTT) . duration 4 hours • score Glissements d'infini • Glissements d'Infini composed in 2019
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| Inoculate? | for a trio of trumpet, trombone and saxophone (soprano & bass), live electronics and data-noise. Recorded on the CD "Inoculate?" by Journal Intime, KTT and Deborah Lary Composed in 2011 |
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| Quake | bass, acoustic contrabass electronics and two dancers. Played by KTT, Marc Cauvin, Myriam Gourfink and Helen Sky Quake composed in 2019
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| Déperdition | 74 minutes long double-bass solo. For acoustic but amplified and spatialised instrument. Played by Bruno Chevillon. Written for the dance project of the same name by Myriam Gourfink composed in 2013 |
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| Contraindre | a 60 minutes long theremin solo - for one player but playing 2 theremins - and a MaxMSP patch as well. Was played by Laurent Dailleau. Written for the dance project of the same name by Myriam Gourfink |
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| HOOR | an old (1998) composition for solo timpanis. Was played by Didier Casamitjana |
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| INFRA (Souterrain) | composition for a later incarnation of SLEAZE ART, my group (or ensemble) of 4 electric basses. At the time Fred Galiay, Erik Abecassis, JB Hanak and KTT. Over one hour long pieces.Written for the dance "Souterrain" by Myriam Gourfink. Recorded on the CD "INFRA" |
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| INFRA BLAST | another take on INFRA, this time way shorter and more violent. Still played by Fred Galiay, Erik Abecassis, JB hanak and KTT. Recorded on the CD "INFRA BLAST"
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