some more recordings (mostly live) on my YOU TUBE & BANDCAMP channels
 |
||
 |
||
 |
"Nulle Part et Partout" Kasper T. Toeplitz : Composition, Gongs & Electronics Music for Gongs and Electronics, as played for the NULLE PART ET PARTOUT dance project by Myriam Gourfink. Music by Kasper T Toeplitz, as played on April 1st, 2023 at LE PACIFIQUE, Grenoble.There are two versions of the piece |
|
 |
"ECARTS" Fred Marty : contrebasse Contrabass (Fred Marty) & Live electronics (Kasper T. Toeplitz), |
|
 |
"THE BORDER" compilation "PERSISTENCE" by Bocian Records made a very very nice gesture with this new ”The Border" compilation (on BandCamp) which is meant to help the humanitarian organisations working on the polish-belarussian border, helping refugees |
|
 |
"VENTS STELLAIRES" Kasper T. Toeplitz : composition & electronics Bocian Records made a very very nice gesture with this new ”The Border" compilation (on BandCamp) which is meant to help the CD ZORA Records
|
|
 |
"ARCHE" Kasper T. Toeplitz : composition & solo Bass Bocian Records made a very very nice gesture with this new ”The Border" compilation (on BandCamp) which is meant to help the CD ZORA Records
|
|
 |
"ELEPHANT & CAT" Kasper T. Toeplitz : composition & solo Bass |
|
 |
||
 |
||
 |
||
 |
Marinos Koutsomichalis & Kasper T. Toeplitz Kasper T Toeplitz- digital electronic sounds |
|
 |
||
 |
"IRE - BESTIA" ENSEMBLE IRE plays : _Phill Niblock "NOIZZZE + IRE" _Toeplitz/Vigroux "BESTIA " LP on Matière Mémoire |
|
 |
FORMANEX : 20 years of Experimental music _a box of 10 CD's and 20 years of FORMANEX's (the group set up by Julien Ottavi, Anthony Taillard and Emmanuel Leduc) work in experimental music. Different compositions by people such as AMM, Christian Wolff, Keith Rowe, Ralf Wehowsky, John Tilbury, Phill Niblock, Onnsemble, Seth Cluett, Radu Malfatti, Michael Pisaro, Julien Ottavi and myself. The CD #9 is all my work, with two pieces, "SZKIC" and "Demonology #11" you can see the scores of those pieces on the page "Scores and Compositions" the box was released on Mikroton |
|
 |
INTERFERENCES
_Cello_Titan (cello, Brice Catherin, & Live-electronics) _Reflux-Reformation (Percussions, Tom de Cock, & Live-electronics) _Secteurs d'Interférence (Flute, Erik Drescher, & Live-electronics) Compositions & Live-electronics, Kasper T. Toeplitz
released by in-possible records. |
|
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
OCTOPUS Hélène Breschand plays: ”OCCAM OCEAN XVI” (for acoustic harp)
released by Bocian Records |
|
 |
||
 |
Congruences Contrariées INERT/E is a duo of Lars Akerlund and Kasper T. Toeplitz released on Zora Records |
|
 |
||
 |
Kasper T. Toeplitz / zeitkratzer Agitation /Stagnation a double CD of my work for Zeitkratzer. The composition for the ensemble is on one CD, on the second one there is the "electronic score" of the piece, as it was given to teh ensemble. You can play both CDs at the same time
released by Bocian Records |
|
 |
time profiles INERT/E is a duo of Lars Akerlund and Kasper T. Toeplitz,This is our second release, a double CD. Each of the two CDs support one long track, respectively "La perte du temps est la plus irréparable, et c'est celle qui inquiète le moins" and "Profils Irrationnels" released on Zora Record |
|
 |
||
 |
ESPACE
a duo of VOMIR and KTT. Only electronics, rather harsh. Two of the 3 tracks were recorded Live, one in studio. THe names of the 3 tracks are ESPACE, ESPACE and ESPACE |
|
 |
||
 |
ART ZOYD Phase V My final collaboration with Art Zoyd & Gérad Hourbette, Phase V, which we started as a duo project which then collapsed. Finally when the 5 CD box was released, only one of my compositions stayed in : "Faze 5 _extérieur" which begins the long suite "Paysage des enfers "
released by In-possible records |
|
 |
||
 |
Luzifers Abschied
a project by Akousmatikol, freely based on "Samstag aus Licht", part of Stockhausen's opera "Licht : die sieben Tage der Woche" |
|
 |
Kasper T. Toeplitz AMAS Pogus is very delighted to release this new CD by Kasper T. Toeplitz: AMAS - which could be translated as accumulation, heap, pile, maybe cluster, like the verb "to amass". CD POGUS |
|
 |
||
 |
Kasper T. Toeplitz Electronic composition played live by Kasper T. Toeplitz and Myriam Gourfink. Noise and stillness. Also generative video, and the noise of circulating data Kasper T. Toeplitz - live electronics, generative video, lights a page about DATA_Noisephoto by Marc Coudrais |
|
 |
Kasper T. Toeplitz Kasper T. Toeplitz - composition, live-electronics, bass Immobility by Margot Dorleans, Carole Garriga, Deborah Lary and Véronique Weil. photo by Hervé Véronèse rosa_10, CD |
|
 |
ART ZOYD "44 1/2 - Live and unrealeased works" a giant box of 12 CDs and 2 DVD, among which there are some of my compositions for ART ZOYD
released by In-Possible Records |
|
 |
Kasper T. Toeplitz & Anna Zaradny Stacja nigdy w Zyciu Two pieces, seemingly appearing out of the void, culminate – and fade away. It's at "Station Never in Life" ("Stacja Nigdy w ?yciu" in Polish) where Kasper T. Toeplitz and Anna Zaradny meet for their first duo LP. The recording features Anna Zaradny on saxophone, playing the instrument in her unique way, Kasper T. Toeplitz on bass as well as both of them using computers. This is at the same time and old project and a brand new one, or perhaps one in perpetual becoming: the two artists have already played together in many occasions in the past, but this time what is played is a project of a long-term collaboration, a way to explore the passing of time, trying new forms each time, working on the architecture of the proposed music but also the one of the venue in which the sounds will exist: a perpetual reconstruction of a crushed architecture. Vinyl LP AussenRaum |
|
 |
a one hour- long extreme bass solo written by Zbigniew Karkowski. "Fluster" was commissioned by GRM
CD release by Bocian Records |
|
 |
Kasper T. Toeplitz rosa_09, CD A composition : Kasper T. Toeplitz Solo bass, one long piece, very textural, very polyphonic or rather very polytimbral. You probably could not say it is a bass. long composition for solo bass - one long piece, very textural, very polyphonic or rather very polytimbral. You probably could not say it is a bass, but it is not important cover by Daria Gabriel |
|
 |
SLEAZE ART composition : Kasper T. Toeplitz Eryck Abecassis: bass Second CD of the bass-quartet version of Sleaze ART. A short (30 minutes) violent piece, angry and powerful. Recorded live CD released on In paradisum |
|
 |
SLEAZE ART composition : Kasper T. Toeplitz Eryck Abecassis: bass "Un mur du son, un monolithe sonore - des basses et toutes les vibrations qui en découlent - Infra renvoie plus loin et plus bas que les fréquences basses elles-mêmes" |
|
 |
Kasper T. Toeplitz, Jean-Noël Cognard, Jac Berrocal LE SON DU GRISLI : Enregistrés le 18 juin 2014 à Evreux, puis Disséminés çà et là, Kasper T. Toeplitz, Jean-Noël Cognard et Jac Berrocal. Ainsi la basse de Toeplitz, derrière le sifflement des cymbales. Ronflant, elle déroule la trame et le son même de la rencontre : boulevard sous néons sombres sur lequel Berrocal pourra s'exprimer librement – c'est parfois, par quelques câbles no wave, Don Cherry solidement attaché à un totem fiché de travers. En fin de première face, les musiciens grondent toujours, mais en insistant maintenant : noise'n'roll tranchant… Qui tranchera d'ailleurs avec la seconde face : sur un écho léger, le trompettiste y improvise du bout des lèvres quand Toeplitz nourrit quelques parasites et Cognard invente une adéquate ponctuation : c'est alors une danse contournée qui préside aux débats, chassée bientôt par un blues étouffé par d'autres grondements sourds. Et « c'est l'heure », déjà : celle de l'après-écoute, celle où le trio concrétise son vœu du jour : Toeplitz, Cognard et Berrocal, Disséminés, çà et là. Kasper T. Toeplitz - basse, électronique vinyl by Bloc Thyristors, |
|
 |
UNTITLED #274
Francisco López is internationally recognized as one of the major figures of the sound art and experimental music. For more than thirty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from the limits of perception to the most dreadful abyss of sonic power, proposing a blind, profound and transcendental listening, freed from the imperatives of knowledge and open to sensory and spiritual expansion. Important Records |
|
 |
Daniel Buess : percussions CD of the duo of Daniel Buess & Kasper T. Toeplitz, playing loud, aggressive music which sometimes is very peaceful, using symphonic bass drums, giant springs, metal percussions, noise effects, low strings, lots of sub-bass and tons of distortion.
CD on ZORA_Records |
|
 |
LEON + KTT a bass trio of LEON (swiss bass duo) and Kasper T. Toeplitz. A private release and the beginning of a very nice trio project.
|
|
 |
Blast of Silence Kasper T. Toeplitz / Julien Ottavi a collaboration between Julien Ottavi and myself - Julien plays voice, laptop and crotales (which are also called ancient cymbals I guess) and I play Bass and electronics. Recorded in Nantes (APO33) mixed in Paris and released by the Polish label Bocian Records - on clear vinyl !!!!
|
|
 |
NO BULLSHIT - a sonic tribute to Zbigniew Karkowski including LE DEPEUPLEUR (Kasper T. Toeplitz & Zbigniew Karkowski) "Unifomly Luminous"
|
|
 |
Zbigniew Karkowski and "Thinking the unthinkable" LE DEPEUPLEUR was Zbigniew Karkowski & Kasper T. Toeplitz Fibrr Records |
|
 |
Akerlund / Toeplitz rosa_08, CD . ayered soundscapes. a page about INERT/E cover by Paul Collins |
|
 |
P_LAB + Z + KASPER T. TOEPLITZ Even after re-reading that review, I have no real clue as to how it sounded, but apparently indeed I liked it. Paul Collins, who wrote that, played on and on with a band called Ultradig and Caandides, and in the last two years with Lukas, Adrian, and Bladine, making up the group P_Lab, who played on March 14 of this year with Kasper T. Toeplitz a concert, which also included texts by Emmanuel Zwenger, the Z in the listing. There is no mentioning of instruments on the cover of this release, but hearing this music, which they describe as 'minimal drone noise', I assume it's an all laptop affair, plus perhaps some out board electronics to further color the detail of the affair. Most of the times it's quite a loud affair of heavy drones which come close to the world of noise, but luckily it's never really loud. For me the first piece, at forty five minutes already quite a beast, would have been enough to get the drift, so the next one, another twenty-five minutes may seem superfluous. The writer only appears, it seems, in the final piece, which curiously then only takes one and half minute. Quite a decent release, nothing new under the sun, but executed with quite an amount of style and care, which works out long and well. (FdW) CDR by Care Not Care |
|
 |
Kasper T. Toeplitz PERDU (solo electric bass) I don't know when this music was recorded, why it was composed, what for, when... I know it is me playing and I know it is only my bass, I know there is no other sounds (as I never use pre-recorded sounds). I found this recording on a blank CDr, at home. nothing written on - what is this? Yes, it is me, for sure and it was obviously a composed piece - the structure is quite unusual. I did not touch, edited or mixed it in any way. And not being able to remember what it was, I called it "mystery bass"
Label Radical Matters |
|
 |
Eliane RADIGUE rosa_07, CD Aposition isstill strictly the same. cover by Thomas Kieffer |
|
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
KERNEL rosa_06, CD The fourth CD of KERNEL - with still the same musicians, Eryck Abecassis, KTToeplitz & Wilfried Wendling - is a re-creation of their first CD, KERNEL#2, two years later. Exactly the same score, but a diffrent interpretation - a much longer one (53 minutes) and with much more density to it. Actually this CD and this composition define very much what KERNEL is allabout - live interpretation of written scores of electronic music. Comparing the 2 versions is something... - exacltly the same music, never the same ! a page about KERNEL cover by Anne Delrieu |
|
 |
KERNEL rosa_05, CD This is the third CD of KERNEL (the second one, DEEP, was released on ZORA Records) - with still the same musicians - Eryck Abecassis, KTToeplitz & Wilfried Wendlin. And still live electronic music preformed live on computers On this CD, two electronic compositions : a page about KERNEL photo Leen Varx |
|
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
KERNEL rosa_04, CD KERNEL is an ensemble of live electronic music. All of it is written down, on scores, and is interpreted by the musicians - all in real-time: no sound files, no samples, no sequencers. Analog equipement can be used, even if the core of each musician's set-up is the computer. Each of them has to write its own computer program, as this is considered being part of the interpretation of the written score. a page about KERNEL cover by Anne Delrieu |
|
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
Le DEPEUPLEUR LE DEPEUPLEUR is the electronic project of Zbigniew Karkowski and Kasper T. Toeplitz. Both musicians use computers, and create electronic sounds - no samples, no "found" sounds - it's all "pure" electronic. Even if their names can (also) be found in the "noise" circles - they did collaborate with musicians such as Merzbow, Tetsuo Furudate, CCCC or Francisco Lopez, to name a few - they are both composers having done, and still doing fully written down pieces for orchestras, ensembles etc a page about LE DEPEUPLEUR |
|
 |
Kasper T. Toeplitz rosa_02, CD CAPTURE is a piece which is as much music as choregraphy as video, and whose interpreters interpret this piece in its globality (dance, music, images) and not by separating the different artistic fields . The final form is as much a concert than a dance piece or even a live video installation. All of it. Of course the CD version gives you only the music - a long ascension whose only sound generator is a white noise - carefully sculpted by numerous filters, all activated in real-time by the movements of the 3 dancers cover by Thomas Kieffer |
|
 |
Eliane RADIGUE A composition for solo electric bass, written by Eliane Radigue, and played by KTToeplitz. It was the first time Eliane wrote something for a musician, all her previous pieces were for her synths. Since then she only composes instrumental music, for different musicians. cover by Thomas Kieffer rosa_01, CD |
|
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
||
 |
D |
: