Discography
K.T.Toeplitz
I belive everything is not there.... some recordings are probably missing - from my collection but from my mind as well. Anyhow, in a more or less chronological order those are the recordings of Kasper T. Toeplitz. Some under my name, some are compilations, other are group projects..... On some I play myself - either electric bass or computer - other are music which i composed, played by other musicians.
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FORMANEX : 20 yeras of Experimental music
_a box of 10 CD's and 20 years of FORMANEX's (the group set up by Julien Ottavi, Anthony Taillard and Emmanuel Leduc) work in experimental music. Different compositions by people such as AMM, Christian Wolff, Keith Rowe, Ralf Wehowsky, John Tilbury, Phill Niblock, Onnsemble, Seth Cluett, Radu Malfatti, Michael Pisaro, Julien Ottavi and myself. The CD #9 is all my work, with two pieces, "SZKIC" and "Demonology #11"
you can see the scores of those pieces on the page "Scores and Compositions"
the box was released on Mikroton |
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INTERFERENCES
_Cello_Titan (cello, Brice Catherin, & Live-electronics) _Reflux-Reformation (Percussions, Tom de Cock, & Live-electronics) _Secteurs d'Interférence (Flute, Erik Drescher, & Live-electronics) Compositions & Live-electronics, Kasper T. Toeplitz
released by in-possible records. |
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OCTOPUS Hélène Breschand plays: ”OCCAM OCEAN XVI” (for acoustic harp)
released by Bocian Records |
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Congruences Contrariées
INERT/E is a duo of Lars Akerlund and Kasper T. Toeplitz
released on Zora Records |
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Kasper T. Toeplitz / zeitkratzer Agitation /Stagnation a double CD of my work for Zeitkratzer. The composition for the ensemble is on one CD, on the second one there is the "electronic score" of the piece, as it was given to teh ensemble. You can play both CDs at the same time
released by Bocian Records |
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time profiles
INERT/E is a duo of Lars Akerlund and Kasper T. Toeplitz,This is our second release, a double CD. Each of the two CDs support one long track, respectively "La perte du temps est la plus irréparable, et c'est celle qui inquiète le moins" and "Profils Irrationnels" released on Zora Records |
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ESPACE
a duo of VOMIR and KTT. Only electronics, rather harsh. Two of the 3 tracks were recorded Live, one in studio. THe names of the 3 tracks are ESPACE, ESPACE and ESPACE
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ART ZOYD Phase V My final collaboration with Art Zoyd & Gérad Hourbette, Phase V, which we started as a duo project which then collapsed. Finally when the 5 CD box was released, only one of my compositions stayed in : "Faze 5 _extérieur" which begins the long suite "Paysage des enfers "
released bi In-possible records |
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Luzifers Abschied
a project by Akousmatikol, freely based on "Samstag aus Licht", part of Stockhausen's opera "Licht : die sieben Tage der Woche"
CD Minautore Records |
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Kasper T. . Toeplitz AMAS Pogus is very delighted to release this new CD by Kasper T. Toeplitz: AMAS - which could be translated as accumulation, heap, pile, maybe cluster, like the verb "to amass".
CD POGUS |
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Kasper T.. Toeplitz Electronic composition played live by Kasper T. Toeplitz and Myriam Gourfink. Noise and stillness. Also generative video, and the noise of circulating data Kasper T. Toeplitz - live electronics, generative video, lights a page about DATA_Noise photo by Marc Coudrais
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Kasper T. Toeplitz GRIS Music for live electronics, bass and lithophone. The music was written (and played live) for the dance piece named "GRIS" choreographed by Myriam Gourfink. Immobility by Margot Dorleans, Carole Garriga, Deborah Lary and Véronique Weil. A huge electronic mass with the raw sound of stones hit by stones inside of it, a blast of energy beforean eternal immobility. Kasper T. Toeplitz - composition, live-electronics, bass
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ART ZOYD "44 1/2 - Live and unrealeased works" a giant box of 12 CDs and 2 DVD, among which there are some of my compositions for ART ZOYD
released by In-Possible Records |
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Kasper T. Toeplitz & Anna Zaradny Stacja nigdy w Życiu Two pieces, seemingly appearing out of the void, culminate – and fade away. It's at "Station Never in Life" ("Stacja Nigdy w Życiu" in Polish) where Kasper T. Toeplitz and Anna Zaradny meet for their first duo LP. The recording features Anna Zaradny on saxophone, playing the instrument in her unique way, Kasper T. Toeplitz on bass as well as both of them using computers. This is at the same time and old project and a brand new one, or perhaps one in perpetual becoming: the two artists have already played together in many occasions in the past, but this time what is played is a project of a long-term collaboration, a way to explore the passing of time, trying new forms each time, working on the architecture of the proposed music but also the one of the venue in which the sounds will exist: a perpetual reconstruction of a crushed architecture. Vinyl LP AussenRaum |
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composition : Zbigniew Karkowski a one hour- long extreme bass solo written by Zbigniew Karkowski. "Fluster" was commissioned by GRM
CD release by Bocian Records |
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Kasper T. Toeplitz
composition : Kasper T. Toeplitz Solo bass, one long piece, very textural, very polyphonic or rather very polytimbral. You probably could not say it is a bass.
CD released by R.O.S.A. distribution Metamkine
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composition : Kasper T. Toeplitz Eryck Abecassis: bass Second CD of the bass-quartet version of Sleaze ART. A short (30 minutes) violent piece, angry and powerful. Recorded live CD released on In paradisum |
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composition : Kasper T. Toeplitz Eryck Abecassis: bass "Un mur du son, un monolithe sonore - des basses et toutes les vibrations qui en découlent - Infra renvoie plus loin et plus bas que les fréquences basses elles-mêmes" |
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Kasper T. Toeplitz, Jean-Noël Cognard, Jac Berrocal
LE SON DU GRISLI : Enregistrés le 18 juin 2014 à Evreux, puis Disséminés çà et là, Kasper T. Toeplitz, Jean-Noël Cognard et Jac Berrocal. Entendus (et expansifs) en Empan et Vierge de Nuremberg, le duo Berrocal / Cognard avait donc encore à dire. C'est-à-dire à improviser, en jouant de codes divers, électriques souvent. Ainsi la basse de Toeplitz, derrière le sifflement des cymbales. Ronflant, elle déroule la trame et le son même de la rencontre : boulevard sous néons sombres sur lequel Berrocal pourra s'exprimer librement – c'est parfois, par quelques câbles no wave, Don Cherry solidement attaché à un totem fiché de travers. En fin de première face, les musiciens grondent toujours, mais en insistant maintenant : noise'n'roll tranchant… Qui tranchera d'ailleurs avec la seconde face : sur un écho léger, le trompettiste y improvise du bout des lèvres quand Toeplitz nourrit quelques parasites et Cognard invente une adéquate ponctuation : c'est alors une danse contournée qui préside aux débats, chassée bientôt par un blues étouffé par d'autres grondements sourds. Et « c'est l'heure », déjà : celle de l'après-écoute, celle où le trio concrétise son vœu du jour : Toeplitz, Cognard et Berrocal, Disséminés, çà et là. Kasper T. Toeplitz - basse, électronique vinyl by Bloc Thyristors, distribution METAMKINE |
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UNTITLED #274
Francisco López is internationally recognized as one of the major figures of the sound art and experimental music. For more than thirty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from the limits of perception to the most dreadful abyss of sonic power, proposing a blind, profound and transcendental listening, freed from the imperatives of knowledge and open to sensory and spiritual expansion. Kasper T. Toeplitz has worked with academic research organizations, such as GMEM, GRM, IRCAM, and Radio-France, as well as with experimental musicians, such as Éliane Radigue, Zbigniew Karkowski, Dror Feiler, Tetsuo Furudate, Phill Niblock and Art Zoyd . Citing Giacinto Scelsi and Iannis Xenakis as influences, his early work was mostly written for traditional instruments. Important Records |
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Daniel Buess : percussions CD of the duo of Daniel Buess & Kasper T. Toeplitz, playing loud, aggressive music which sometimes is very peaceful, using symphonic bass drums, giant springs, metal percussions, noise effects, low strings, lots of sub-bass and tons of distortion.
CD on ZORA_Records |
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LEON + KTT a bass trio of LEON (swiss bass duo) and Kasper T. Toeplitz. A private release and the beginning of a very nice trio project.
distribution Metamkine |
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Blast of Silence Kasper T. Toeplitz / Julien Ottavi a collaboration between Julien Ottavi and myself - Julien plays voice, laptop and crotales (which are also called ancient cymbals I guess) and I play Bass and electronics. Recorded in Nantes (APO33) mixed in Paris and released by the Polish label Bocian Records - on clear vinyl !!!!
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including LE DEPEUPLEUR (Kasper T. Toeplitz & Zbigniew Karkowski) "Unifomly Luminous"
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Zbigniew Karkowski _ Unreleased Material and the recording of the very last concert by LE DEPEUPLEUR "Thinking the unthinkable" LE DEPEUPLEUR was Zbigniew Karkowski & Kasper T. Toeplitz more about LE DEPEUPLEUR here Fibrr Records |
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P_LAB + Z + KASPER T. TOEPLITZ what Vital Weekly says about it : This is quite cute: 'You mean recall having kindly written about my cd-r, 'Wipe Out' way back in Vital Weekly number 486', the letter says, but no, I don't remember what I wrote about last week, let alone August 3 2005. Even after re-reading that review, I have no real clue as to how it sounded, but apparently indeed I liked it. Paul Collins, who wrote that, played on and on with a band called Ultradig and Caandides, and in the last two years with Lukas, Adrian, and Bladine, making up the group P_Lab, who played on March 14 of this year with Kasper T. Toeplitz a concert, which also included texts by Emmanuel Zwenger, the Z in the listing. There is no mentioning of instruments on the cover of this release, but hearing this music, which they describe as 'minimal drone noise', I assume it's an all laptop affair, plus perhaps some out board electronics to further color the detail of the affair. Most of the times it's quite a loud affair of heavy drones which come close to the world of noise, but luckily it's never really loud. For me the first piece, at forty five minutes already quite a beast, would have been enough to get the drift, so the next one, another twenty-five minutes may seem superfluous. The writer only appears, it seems, in the final piece, which curiously then only takes one and half minute. Quite a decent release, nothing new under the sun, but executed with quite an amount of style and care, which works out long and well. (FdW) CDR by Care Not Care
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Kasper T. Toeplitz PERDU (solo electric bass) I don't know when this music was recorded, why it was composed, what for, when... I know it is me playing and I know it is only my bass, I know there is no other sounds (as I never use pre-recorded sounds). I found this recording on a blank CDr, at home. nothing written on - what is this? Yes, it is me, for sure and it was obviously a composed piece - the structure is quite unusual. I did not touch, edited or mixed it in any way. And not being able to remember what it was, I called it "mystery bass"
Label Radical Matters |
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ELEMENTAL II _ composed by Eliane Radigue Solo electric bass : K.T.Toeplitz "Elemental II" est la première pièce qu'Eliane Radigue ait jamais écrite pour un instrument sans utiliser de sons préenregistrés, sans utiliser son synthétiseur ARP. rosa_07 |
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INOCULATE?
Kasper T. Toeplitz Instabilité entre son et silence, entre stagnation et pression de l'air ; ou encore fantômes digitaux, rémanences de ce qui n'a pas eu lieu - et l'électronique "live" qui sculpte cette matière. Instruments démultipliés à l'excès ou au contraire réduits au souffle le plus ténu, distordus et parasités par eux-mêmes autant que par la grouillante immobilité de la danseuse, corps à entendre. Une lenteur toujours en déséquilibre aux brusques accélérations, un statisme rempli d'électricité, un mur de son. label ALaMuse ALM 003 |
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Dark Matter "Mo.N.D." Kasper T. Toeplitz : bass, computer, tam
label Radical Matters rmwe#099 FREE DOWNLOAD !!! |
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Kasper T. Toeplitz & Z'EV _ "Fleur de peau" a collaboration between KTT and Z'EV. Kasper plays bass and computer, Z'ev only skins - drums. We have a piece by Z'EV, who plays skins and 'symphonic bass-drum' and Kasper Toeplitz on bass and computer. At the basis there is a live recording from January 2010 in Paris which was mixed and assembled by Toeplitz in the time after that. The one piece, forty-five minutes, is divided in some clear distinct parts, like a strong opener with Z'EV clearly on the skins and Toeplitz on the bass, followed by a long section in which things get a bit blurry: who does what here? Not that it really matters of course, but here the abstraction level goes up. Then, after say some thirty minutes, the two leap into a fierce piece of drumming and distorted bass sounds, almost like a noise/tribal, ending on a similar note in the last five minutes. Quite an odd piece, I must say, or perhaps not something one expects to work very well, but actually it does. Moving from the very loud and demanding passages into a more calm land somewhere in the middle. Excellent. |
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EPHEMERIDES NOCTURNES dvd Strom Varx (photography) the first release of the work of the duo of Strom Varx (photography) and Kasper T. Toeplitz (bass) which we called "audial photographic experiment". Slow sub-bass movements of sound with a slightly moving stillness of the images. released on ZORA Recordings, ZORA_02
more about EPHEMERIDES |
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ARCHIPEL ELECTRONIQUE vol. 1 a compilation of (some of the) french "new" electronic scene, on the "D'autres cordes" label, run by Franck Vigroux. Includes works by franck vigroux, jerôme montagne, erikm, christophe ruetsch, annabelle playe, samuel sighicelli, bérangére maximin, sébastien roux and kasper t. toeplitz. my piece is calle "Territoire Fracas" d'autres cordes records 2011 |
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PURE NOISE A CD by 3 composers but which I consider very much a s being "mine": _First piece is "Ragnar_2" by Ulrich Kreiger, with Ulrich playing sax and me playing bass all of it is, well, noisy!! All 3 pieces were commissioned by Art Zoyd Studio AZ_2010
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KERNEL _____ "KERNEL#2 (second version)" The fourth CD of KERNEL - with still the same musicians, Eryck Abecassis, KTToeplitz & Wilfried Wendling - is a re-creation of their first CD, KERNEL#2, two years later. Exactly the same score, but a differnet interpretation - a much longer one (53 minutes) and with much more density to it. Actually this CD defines very much what KERNEL is about - live interpretation of written scores of electronic music. Comparing the 2 versions is something... !!
A page about KERNEL is here rosa_06 |
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KERNEL _____ "D.R." This is the third CD of KERNEL - with still the same musicians - Eryck Abecassis, KTToeplitz & Wilfried Wendling On this CD, two electronic compositions : 1/ DUST RECONSTRUCTION (KTToeplitz) 2/ DROWNING REPORT (E Abecassis) A page about KERNEL is here rosa_05 |
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CRUNCHY CRUNCH (Fractal Music #4) a compilation CD, concept by Joël Hubaut, realesed by
features a 1 minute piece by KTToeplitz, played on electric bass "Royaumes Inconnus"
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[60]Project _ Mathew Atkins A CD by Mathew Adkins made out of short pieces/sounds made by 66 artists : A_dontigny, AGF, Lars Akerlund, Michael Alcorn, Javier Alvarez, Miguel Azguime, Natasha Barrett, François Bayle, Gonzalo Biffarella, Ludger Brümmer, Mira Calix, Christian Calon, Lawrence Dhomont, Lawrence english, eRikm, Dror Feiler, Christian Fennesz, Ambrose Field, Iris garrelfs, Gilles Gobeil, Kink Gong, Jonty Harrison, Tim Hecker, Erdem Helvacioglu, Zoë Irvine, Christina kubisch, Diane Labrosse, Andrew Lewis, Mats Lindstrom, Francisco Lopez, Eric Lyon, Stephan Mathieu, Adrian Moore, Ake Parmerud, Gert-Jan Prins, Maja Solveig Ratkje, Pedro Rebelo, Steve Roden, Sébastien Roux, Scanner, Janek Schaefer, Conrad Schnitzler, Si-cut.db, Wayne Siegel, Rodrigo Sigal, Sogar, Pete Stollery, Paulina Sundin, Kees Tazelaar, Terre Thaemlitz, Todor Todoroff, Kasper T Toeplitz, David Toop, German Toro-Perez, Pierre Alexandre Tremblay, Hans Tutschku, Rodrigo Cichelli Velloso, Marc Weiser/Rechenzentrum, Yeoh Yin Pin, John Young, Christian Zanesi
Empreintes Digitales |
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KERNEL _ The DEEP Eryck Abecassis, Kasper T. Toeplitz, Wilfried Wendling : The second recording of KERNEL, ensemble of live electronic music. ref: ZORA_R01 KERNEL is here ZORA_Records is here |
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FROZ#3 _ composed by KTToeplitz "Saxophone Extrême" a CD played by Serge Bertocchi The saxophonist Serge Bertocchi did a CD a compositions played on the Tubax, which is a new model of Contrabass sax. Those include my own Froz#3 and other pieces by people such as G. Scelsi, M. Monnet, A. Stroe, M-H Fournier.... Bach even!! 2 versions of Froz#3 do exist - the one recorded here, which is a "CD-only" version, and a "live" version that Serge plays ... you can listen to an mp3 version here
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La chute de la maison Usher _ ART ZOYD ART ZOYD one more project with Art Zoyd. Actually the music for it was written around 2001, but the project was premiered only in 2008. Only one piece written by myself, Froz#4. of course the "maison Usher" here is the silent movie by Jean Epstein (1928) - and the music was played live with the film. More about Art Zoyd here ref in-possible records |
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KERNEL _ KERNEL#2 Eryck Abecassis, Kasper T. Toeplitz, Wilfried Wendling : computers & analog electronics The first recording of KERNEL, ensemble of live electronic music. ref: r.o.s.a._04 |
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Le Chant d'Enoch _ composed by KTToeplitz Compilation Cité de la musique : Les instruments du Musée de la musique Le Chant d'Enoch is part of the music written for the ART Zoyd's project "ARMAGEDDON" |
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Mean Density 11.8 _ composed by KTToeplitz Compilation CrO2: a tribute to analog My track, "Mean Density 11.8" is an electronic piece, in which i use (among other tools) the recording of Titan, a moon of Saturne. 11.8 being the mean density there. Other tools include a soprano sax (not that you would recognise it) which is a recording of one or two notes played by Ulrich Krieger, noise generators (Litter library), maxMSP, Amber X, the TimeWARP recreation of the ARP synth, and a crackle box - thanks to mats Lindström, from the EMS studio, in Stockholm. |
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ART ZOYD Le champ des Larmes _ in-possible records |
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disambiguation _ LE DEPEUPLEUR Zbigniew Karkowski & KTToeplitz : computers Following ZKT a new Dépeupleur CD - but very different. A study in noises, mostly greys. Not harsh, certainly not melodic - a kind of noisy purity
auf abwegen AATP15 |
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ZKT _ LE DEPEUPLEUR Zbigniew Karkowski & KTToeplitz : computers Recordings Of Sleaze Art third release. LE DEPEUPLEUR is a long term project with Zbigniew. Some could call it "noise" but i belive it is not about noise, it's about composition ref: r.o.s.a._03 |
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CAPTURE _ composed by Kasper T Toeplitz Computers (softVNS & MaxMSP) Capture is played by 3 dancers-musicians: Carole Garriga, Myriam Gourfink, Cindy Van Acker, ref: r.o.s.a._02 |
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ELEMENTAL II _ composed by Eliane Radigue Solo electric bass : KTToeplitz The CD which started the Recordings Of Sleaze Art label. It took me a really long time to convince Eliane to write a piece for me: before that she never composed anything for a musician - well, she did a piece played by Gérard Fremy, "Geelriandre", but it was for tape and piano. So "Elemental II" was the first time she did a piece without any prerecorded sounds, all played live and by someone else. Since then she wrote a piece for Charles Curtis, solo cello. But "Elemental II" was the first one. The bass is plugged directly into my computer, running a MaxMSP patch i wrote. 50 minutes of suspension... ref: r.o.s.a._01 |
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TOPOGRAPHIE DES TERROR Laurent Dailleau / Kasper T Toeplitz _ computers Again a conceptual project - but a nice one. The idea came from Laurent - to make a CD in which each of us only plays on one channel only- kind of Velvet Underground's "The Gift". I then proposed than each of the - mono - parts pans from one side to the other for the duration of the music (which is 45 minutes, more or less). And then that we use exactly the same instrumentation - Macs and MaxMSP here. Of course when working on ours parts we could not know what he other was doing. Turned out quite well. we then played it again live - not the same music, but the same idea. It works. ref: Tiramizu 2004 _ Tiramizu web-site is HERE |
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MSG#9 _ composeed by KTT for ensemble & live-electronics Warsaw Autumn 2003 _ compilation my piece is written for a small ensemble - strings, percussions and live electronics
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LE DEPEUPLEUR _ ERRATUM ERRATUM 4 _ Compilation
LE DEPEUPLEUR page is here
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PURR#2 _ solo BassComputer , composed and played by KTT 33 RPM - Ten hours of sound from France _ compilation you can find much more about this compliation here . about my own piece, PURR#2, some comments are really great: |
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PURR#1 _ computer, composed and played by KTT Compilation. My track was commissioned by them, it was played live in 4 wagons - i did not went to see it, but I was told it was good
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LE DEPEUPLEUR Zbigniew Karkowski & KTToeplitz : computers First LE DEPEUPLEUR CD. LE DEPEUPLEUR page is here CrossFadeEnterTainement, or CFET. ref: PP008. contact: CFET@CFET.COM |
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METROPOLIS, APPARS ART ZOYD _ METROPOLIS my first project with Art Zoyd - the music for the famous silent movie
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YAM ALMOST MAY Phill Niblock : Touch Food playing the Niblock's solo bass piece. ref TOUCH TO:59 |
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BIEL
composition for small orchestra, samplers and electronics. probably the only time I did use samplers (they are so much "art zoyd" and art zoyd commissioned the piece)
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The groovers "Sophisticated Boom Boom" I play some cello on this one. A garage band - rock. Cello is good for this - even if you cannot play it, everybody loves it. |
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XXX Zenial, Reworked
rework of Zenial's pieces by many artists
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No Scale State Of The Union _ Compilation a triple CD - each composer had to write a one minute piece. I wrote mine when staying in New York
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DEPEUPLEUR_3 A compilation, with a track by Le Dépeupleur LE DEPEUPLEUR page is here
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Io CASINO - Mundo das ferramentas I was invited to play bass on Io's second CD.
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HORIZON NOIR François Bon & Kasper T Toeplitz
a collaborative work, based on poetry by Baudelaire
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ANTICHTON Victor Nubla Me playing bass - live recording
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LE DEPEUPLEUR _ Zbigniew Karkowski & KTToeplitz : computers First time ever i used the computer as instrument. Did not knew i would stick to it that much! LE DEPEUPLEUR page is here
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Senssurround Orchestra _ Meltdown Of Control a sort of "orchestra of noise", done when i was stayin in Japan. A lot of noise, a lot of players:
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NEON GREEN
Collaboration between Tetsuo Furudate and KTT recorded in Tokyo.
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FISSURE first solo CD - very classical if you ask me. 3 pieces which blend in a continuity, the main one being a solo voice piece (sung by Isabel Soccoja) based on texts by Paul Celan.
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ERRE End ID compilation made in Japan, when i was staying in Kyoto - it was compiled by koji Mazutani. Was supposed to be about the end of the XX century
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Illumination Rounds _ Sleaze Art CD of Sleaze art, orchestra of electric guitars and basses which i led for some years
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PREY RIEN Ep not only Vinyl, but a real Ep - 45rpm and all this!!! playing bass with Prey Rien (Bernard Perrot - it was his project - and fred Bigot on guitar). With a version of "THE MIXER" by Jonathan Richman - yes, THE MODERN LOVERS. Hey Girls!! ref FFFascination 008 54/55 av du Golf, 06250 Mougins, France |
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Macromassa Puerta Heliogàbal Project of Victor Nubla, he invited me to play bass on it, as a "special guest". I remember it was a nice session, in Bercelona, and I played quite well - there is a cool bass solo on the "hidden track".
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SLEAZE ART Noiseville, Blindness & Insight Sleaze Art orchestra of guitars & basses - in vinyl! this was the beginning of the second (and last?) incarnation of Seaze Art. A great project!
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PRAY RIEN "Froid" RADIO BONDAGE compilation Pray Rien -a pop group, and me playing bass
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STIHLL _ composed by KTT for 8 saxophones "Point de lune et autres créations" compilation of saxophone music Different (french) composers writing for saxophones - anything from solo to ensemble - Blanc, Carlosema, Petit, Rolin, Rossé and KTT. ref: ADDIM 70 |
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MEMORY-CENDRES _ composed by KTT for small ensemble "Présences '92" A compilation of the "Presences" festival, organised by Radio-France - the 1992 edition as you can guess. The europe of young composers, it says..... My piece was written for the 'Accroche Note ensemble - that's voice, bass clarinet, percussion and double-bass. At the time I was aa "young composer" very classical in fact. It is contemporary music - just an extension of classical. i would not write like this any more, for sure. It was the favourite of my mother - I mean if she had to choose between MY pieces. it might still be. Because of the voice, no doubt.
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NEMESIS _ The White Horse _ compilation I play bass on a composition, "NEMESIS" by Alain Basso
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WASTED _ composed and played by KTT "Pièces pour standarts et répondeurs télephoniques" compilation A compilation with a stupid, "arty" idea - musics for answering machines. Yeah, Touch did the same thing lears later, but this one was done in 1992. Of course the pieces are short. "WASTED" is 38 seconds long, and it's basically a bass feedback played backwards. Other people on this compilation are Albert Marcoeur, Jerôme Noetinger, Heiner Goebbels, Karl Biscuit , Le Quan Ninh, Bernard Perrot, Jacques Rebotier, Christian Boltanski, Christian Marclay. I did not listen to it in years.. ref: Nouvelles Scènes NS01 |
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ORGONE (Sleaze Art) Paysage Foudroyé (solo bass) composed by KTT DITHYRAMBE _ LP Vinyl. A strange LP, kind of collaboration with the parisian group Shubb_Nigurath. they play one piece, Sleaze Art, in its very first incarnation of 5 electric basses, plays "ORGONE", then there is a solo voice piece, written by Jean-Luc Hervé, of Shubb-Nigurath, and finally "Paysage Foudroyé" which is a bass solo (which i play). it was released by Musea, a label of progressive music - and Sleaze Art was not exactly their cup of tea - they were much more into Shubb-Nigurath. All the people from this scene, at the time were heavily into Magma, Art Zoyd and Univers Zero. I was not into this - i never liked Magma. I would not imagine, at the time, collaborating, years later, with Art Zoyd! ref Musea |
