| Kasper T. Toeplitz - Projects not all are there, and they are in no particular order. Those could as well be long-term projects (a group or a collaboration), as compositions or just "one-shot" events. What I work on... or what I did worked on |
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| Stacja Nigdy w Zyciu | Duo of AnnaZaradny (computer & sax) and KTT (Bass & computer) | 2016 -> | |
| My Daily Noise | Duo of Daniel Buess (percussions) and KTT (bass). Noisy, free-rocking energy duo. Ended with the death of Daniel in 2016 | 2014-2015 | |
| Inoculate? | Composition for a wind trio (Trio Journal Intime) a dancer, and live electronics. The dancer is Debrorah Lary, and choregraphy is by Myriam Gourfink. |
Commissioned by La Muse en Circuit replayed at festival Warsaw Autumn in 2015 |
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| IRE | an instrumental ensemble | Premiere festival Bruits Blancs, Anis Gras 20 nov 2015 |
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| Infra_exposure | a one week-long installation/live concert of uniterrupted bass-playing | Wro Art Biennale 2015 | |
| Cello_Titan | Composition for solo cello and live-electronics (operated by the cellist himself). The piece was originally written for Ulrich Maiss, and electric cello, then 10 years later Brice Cahtherin played it on acoustic amplified cello |
Premiered in Berlin, 2005 by Ulrich Maiss replayed in 2015, in Nicosia, by Brice Catherin. |
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| Sleaze ART | A group of only basses .Four basses |
this version started in 2014 | |
| Convergence, Saturation & Dissolution | Composition for electric harp and live electronics. Commissioned by GRAME (Lyon). Convergence, Saturation & Dissolution is played by Hélène Breschand (harp) and Kasper T. Toeplitz (live-electronics) | Premiered in march 2014 at Biennale de Lyon Replayed in october 2014 in China, then, dec 2014, Anis Gras (close to Paris) |
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| DATA_Noise | Composition for live-electronics, stillness (movement ?) live generative video, noise and lights. Played by Kasper T. Toeplitz and Myriam Gourfink. |
DATA_noise received the 2012 Giga Hertz Preise at ZKM (Karsruhe). It was premiered in november 2013 at ZKM, and then played in Athens,(Foundation Onassis) Switzerland (Ear We Are festival), France (Espace Pasolini) | |
| LOL danse | Many common dance/musicprojects with the Choregrapher Myriam Gourfink. Her web-page is HERE | 1999 -> present day. Many different projects including Marine, Araneide, Corbeau, Déperdition, Choisir le moment de la morsue, and many others | |
| INERT/E | A duo of electronics (and some bass) with Lars Akerlund and Kasper T. Toeplitz | started in 2013 | |
| Désastre | A feedback project with the dancer Nina Santes and Kasper T. Toeplitz | ||
| Trans_Niagara | A powerful electronic noise / dance projet with Jonathan Schatz and Kasper T. Toeplitz | ||
| Noise Purity | An ongoing serie of live experiments, most of the time played on solo laptop. More of an ongoing experiment that a fixed form - focussing on noise | ||
| Le Dépeupleur | An electronic duo of Zbigniew Karkowski and Kasper T. Toeplitz | 1999 - 2013 | |
| Kernel | Trio of live electronic music, fully notated electronic compositions. With Eryck Abecassis, Kasper T. Toeplitz and Wilfried Wendling. | ||
| L.F.O. Orchestra | An orchestra of only low-pitched instruments. 13 or so of them. | ||
| BassComputer | |||
| Replis | |||
| EPHEMERIDES | |||
| BassTaarang | a Bass - Taarang collaboration with Philippe Foch (tablas) | ||
| The Monster which never breathes | a composition for pipe organ, live electronics and immobility | ||
| Capture | |||
other projects are here