Dans le numéro 91 de Revue&Corrigée, Kasper T Toeplitz a écrit
PENSER LE SONORE, ECRIRE LA MUSIQUE La Disparition Annoncée De La Pensée Solfégique ; Et Peut-être Que ça N'a Aucune Importance ? par Kasper T. Toeplitz
Entretiens croisés avec Eryck ABECASSIS, Erik BARON, Jean-Claude ELOY, Dror FEILER, Emmanuelle GIBELLO, Gérard HOURBETTE, Pierre JODLOWSKI, Zbigniew KARKOWSKI, Ulrich KRIEGER, Benjamin THIGPEN, Pierre-Alexandre TREMBLAY, Franck VIGROUX, Wilfried WENDLING.
et
RING-MODULATION #4 "Passages De Territoires "
(parlant entre autres de Nono, Bedrossian, Cendo, Coltrane, Stockhausen,Karkowski, Schäefer, Cordier, Oliveros, Art Zoyd & Coupille)
NEW CD
Perdu (mystery bass) /solo electric bass
I don't know when this music was recorded, why it was composed, what for, when... I know it is me playing and I know it is only my bass, I know there is no other sounds (as I never use pre-recorded sounds). I found this recording on a blank CDr, at home. nothing written on - what is this? Yes, it is me, for sure and it was obviously a composed piece - the structure is quite unusual. I did not touch, edited or mixed it in any way. And not being able to remember what it was, I called it "mystery bass"
Radical Matters editions/label
NEW CD
ELIANE RADIGUE ___ ELEMENTAL II
(new recording / nouvel enregistrement)
"Elemental II" is the first ever piece Eliane Radigue wrote for an instrument, without any pre-recorded sounds, without the use of her ARP synthesiser. It took a very long time to convince her to do so, the piece was some two years or more in the making - discussing about the sound a mountain makes after the rain.
The first recording was released just after the premiere of the piece, in 2004. In 2011, seven years later, after having played the piece more 30 times in concert, after having spend a long time with it, after having "domesticated"it, it seemed interesting to rerecord it - something very common in classical music, but almost inexistant in those "other", electronic, musics. However those musics also live, change, evolve ; the same score another point of view
KASPER T. TOEPLITZ _ SOLO ELECTRIC BASS _ RECORDED SUMMER 2011
r.o.s.a._07
distribution METAMKINE
NEW CD
INOCULATE?
Instabilité entre son et silence, entre stagnation et pression de l'air ; ou encore fantômes digitaux, rémanences de ce qui n'a pas eu lieu - et l'électronique "live" qui sculpte cette matière. Instruments démultipliés à l'excès ou au contraire réduits au souffle le plus ténu, distordus et parasités par eux-mêmes autant que par la grouillante immobilité de la danseuse, corps à entendre. Une lenteur toujours en déséquilibre aux brusques accélérations, un statisme rempli d'électricité, un mur de son.
Kasper T. Toeplitz : conception, composition et programmation informatique, live-electronics / Myriam Gourfink : chorégraphie / Déborah Lary : danse & data-noise / Trio Journal Intime : Sylvain Bardiau : trompette / Frédéric Gastard : saxophones basse et soprano / Matthias Mahler : trombone
label ALaMuse ALM 003
distribution
Distrart Musique
NEW CD
Dark Matter "Mo.N.D."
Kasper T. Toeplitz : bass, computer, tam / Antoine Chessex : sax, electronics
Dark Matter have realised a monolithic piece of cosmic dark energy, concentrating gravitational lensing phenomenas, in solid waves, through the multi-dimensional quantum-continuum. A must! The duo deals with dense and abstract structures where the hybridisation of the two performers´instruments collapse together resulting in monumental walls of sounds based on the architecture of ruins.
label Radical Matters rmwe#099
FREE DOWNLOAD !!!
................COMPOSITIONS................
en cours / in the making
TERRITOIRE DE PERTE
for solo electric fretless guitar and live-electronics
will be premiered on june
16th, 2012, by Didier Aschour
RUPTURE & DISSIPATION
for the Phoenix Ensemble, Basel
to be played on june 8, 9 & 10 by Phoenix
PIECE FOR ELECTRIC HARP
for Héléne Breschand, her electric harp and live-electronics
comissioned by GRAME, Lyon
ARANEÏDE
live electronic piece for a new choregraphy by Myriam Gourfink
danced by Clémence Coconnier
premiered in Reims on 14 & 15th feb
2013
PIECE FOR DOUBLE BASS
for double-bass played by Bruno Chevillon, and live-electronics
for the new choregraphy by Myriam Gourfink
5 & 6 june 2013
Solo bass concert at LUFF 2011 - This is the very first version (work in progress) of AVEUGLE
